Step one:
prepare artwork

ARTWORK

Artwork may be created with liquid opaque paint or ink, light-stopping making
devices, rubylith films, lithographic crayons and certain black pencils, or
found objects. The image is created on transparent acetate, mylar, Xerox or a
glass surface. This "transparency" is used as a contact positive or negative
for either intaglio or relief. Artwork can be created by hand drawing,
computer printout, or with photographic methods.

Artwork can be created by hand drawing, computer printout, or with photographic methods

Step two:
expose plate to UV light

EXPOSURE

When exposing with the sun, set up your Solarplate indoors, and away from
direct sunlight. If the artworks contains large areas of black, subtle
grays, or is photographic, it is advisable to use the "Double Exposure
Technique."
First, place the Aquatint Screen, emulsion face down, in direct contact with
the plate. Sandwich the plate and screen between thick plate glass and a
foam backing with a rigid board. Clamp the entire unit together and expose
it to the sun, or artificial U.V. light source, perpendicular to the rays.
Best results are achieved at noontime in strong sunlight, an average time
would be 90 seconds in the summer in northeast United States.
Once the plate has been exposed to the screen, bring the entire unit indoors
and replace the screen with the artwork. The exposure is repeated however
the time may differ.

NOTE: The darker or more dense the transparency---the longer the exposure;
The lighter or more delicate the transparency---the shorter the exposure.
Times can vary from 3 minutes down to 15 seconds.

REMEMBER: Keep the first exposure with your time consistent. For darker
results DECREASE your exposure time; for lighter results; increase your
exposure time.

NEVER USE THE DOUBLE EXPOSURE TECHNIQUE FOR RELIEF PLATES. I ALWAYS TEST FIRST BEFORE USING LARGE PLATES

Step three:
rinse plate in water

WASH OUT (etching)

The washout process is a substitution for the "etch" process In traditional
Intaglio. Sixty-eight degree water is used instead of acid. Gently, scrub the
entire image with a soft nylon scrub brush for about 1 minute for the double
exposure; two minutes or longer for a single exposure (without the screen).
During the washout, the image will be removed from the surface, creating an intaglio surface. You can control the washing time and stop at any desired moment. After completing the washout, quickly blot with newsprint or phone book pages.

Step four:
harden plate 

POST EXPOSE

Post Expose the plate for 5-10 minutes; longer post exposure will not harm the image

Step five:
filing the plate 

Before inking, eliminate the sharp corners of the plate with a file.

Step six:
print plate

PRINTING

Printing may be done in either relief or intaglio. Plate thickness is less
than standard zinc or copper and presses should be adjusted accordingly.
Although hand printing may be accomplished by traditional rubbing techniques,
a press is more desirable for ease, consistency and quality. Any quality
printmaking paper may be used.

The ease in inking is enhanced by using a magnetic vinyl under the
Solarplate. The steel backed Solarplate stays put on the magnet making the
wiping or rolling action extremely simple.